German Romantic Painter, 1789-1869 German painter and draughtsman. As well as being an artist, he achieved considerable success as a doctor, a naturalist, a scientist and a psychologist. As an artist, he was concerned almost exclusively with landscape painting, although he never practised it professionally. While still at school in Leipzig, he had drawing lessons from Julius Diez; he subsequently studied under Johann Veit Schnorr von Carolsfeld (1764-1841) at the Oeser drawing academy. From 1813 he taught himself oil painting, copying after the Dresden landscape painter Johann Christian Klengel, whom he visited in his studio. In 1811 after six years at university he graduated as a doctor of medicine and a doctor of philosophy.  Related Paintings of Carl Gustav Carus :. | Blooming Elderberry Hedge in the Moonlight | Monch in Winterlandschaft | Das Kolosseum in einer Mondnacht | Woman on a Balcony | Boat Trapped in Blocks of Ice (mk10) |
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William-Adolphe Bouguereau
(November 30, 1825 - August 19, 1905) was a French academic painter. William Bouguereau was a traditionalist whose realistic genre paintings and mythological themes were modern interpretations of Classical subjects with a heavy emphasis on the female human body. William-Adolphe Bouguereau was born in La Rochelle, France on November 30, 1825, into a family of wine and olive oil merchants. He seemed destined to join the family business but for the intervention of his uncle Eugene, a Roman Catholic priest, who taught him classical and Biblical subjects, and arranged for Bouguereau to go to high school. Bouguereau showed artistic talent early on and his father was convinced by a client to send him to the École des Beaux-Arts in Bordeaux, where he won first prize in figure painting for a depiction of Saint Roch. To earn extra money, he designed labels for jams and preserves
Charles Wellington Furse
(January 13, 1868 - October 16, 1904) was an English painter. He was born at Staines, the son of the Rev. C. W. Furse, archdeacon of Westminster, and rector of St John's, Smith Square and descended collaterally from Sir Joshua Reynolds; and in his short span of life achieved such rare excellence as a portrait and figure painter that he forms an important link in the chain of British portraiture which extends from the time when Van Dyck was called to the court of Charles I into the 20th century. His talent was precocious; at the age of seven he gave indications of it in a number of drawings illustrating Scott's novels. He entered the Slade School in 1884, winning the Slade scholarship in the following year, and completed his education at Julians Atelier in Paris. Hard worker as he was, his activity was frequently interrupted by spells of illness, for he had developed signs of consumption when he was still attending the Slade school. An important canvas called Cain was his first contribution (1888) to the Royal Academy, to the associateship of which he was elected in the year of his death. For some years before he had been a staunch supporter of the New English Art Club, to the exhibitions of which he was a regular contributor. In October 1900 he married Katharine Symonds, the daughter of John Addington Symonds. She later became known as Dame Katharine Furse. The couple had 2 sons. His fondness for sport and of an open-air life found expression in his art and introduced a new, fresh and vigorous note into portraiture. There is never a suggestion of the studio or of the fatiguing pose in his portraits. The sitters appear unconscious of being painted, and are generally seen in the pursuit of their favourite outdoor sport or pastime, in the full enjoyment of life. Such are the Diana of the Uplands, the Lord Roberts and The Return from the Ride at the Tate Gallery; the four children in the Cubbing with the York and Ainsty, The Lilac Gown, Mr. and Mrs. Oliver Fishing and the portraits of Lord Charles Beresford and William Johnson Cory. Most of these pictures, and indeed nearly all the work completed in the few years of Furse's activity, show a pronounced decorative tendency. His sense of space, composition and decorative design can best be judged by his admirable mural decorations for Liverpool town hall, executed between 1899 and 1902. A memorial exhibition of Furse's paintings and sketches was held at the Burlington Fine Arts Club in 1906.
Jose Jimenez Aranda
(February 7, 1837 - May 6, 1903) was a Spanish painter. Persondata Name Jimenez Aranda, Jose Alternative names Short description Date of birth February 7, 1837 Place of birth Date of death May 6, 1903 Place of death